In the early evening on Sunday, September 7th, seven hand made boats, or more precisely, seven floating sculptures by Swoon,  docked in front of Deitch Studios on the East River in Long Island City. Their arrival at Deitch Studios was the final stop on a three-week journey down the Hudson River and around the tip of Manhattan. The seven boats, built by Swoon and her friends from scrap wood and other discarded materials, begin their sail down the Hudson River on August 15th in Troy, New York, stopping along the way for musical and theatrical performances. Swimming Cities of Switchback Sea is a two-part exhibition merging Swoon’s recent portraits, found objects of urban decay and a floating sculptural city. One part of the exhibition is on the water. The other is in the gallery. As the seven boats dock in front of Deitch Studios, they will be tethered by ropes to the skirts of a twenty-five foot high paper sculpture of two sisters embracing, the central image of the indoor portion of the show. The image of the Switchback Sisters came to Swoon in a dream when she was worried about the rising waters when her first set of boats was floating down the Mississippi River two years ago. She envisioned a woman who would gather the boats into a safe haven under her skirts.

Swoon’s indoor installation, in the large cathedral like space of Deitch Studios, is divided into two levels, above and below an imaginary flood line. She imagines that if the water of the East River were to rise, her boats could float into the shelter of the gallery space. The imagery on the walls is drawn from the sea and from the mangrove swamps that the artist explored in her Florida youth. She is inspired by the way the trees in the mangrove swamps send out huge networks of roots, both below and above the water, creating two parallel ecosystems. Above the imaginary waterline, Swoon has created the image of a city rising from the sea. The parallel narratives of the exhibition represent a convergence of her life on the river and her life as a street artist in New York City.

Swimming Cities of Switchback Sea is the result of a year of design and construction and the combined efforts of seventy- five collaborators, working under Swoon’s direction. A crew of forty people will sail the seven boats down the Hudson. During the summer of 2006, Swoon and the Miss Rockaway Armada launched a similar project on the Mississippi River. For this year’s project, Swoon designed and supervised the construction of all the boats herself and will culminate the journey with an ambitious exhibition of her large wooden and paper constructions and her large-scale prints.

Swoon celebrates with a bottle of champagne

Swoon is recognized as one of the most original street artists to emerge in New York during the past decade. Her imagery is both bold and intricate, a unique fusion of figurative and architectural elements. She creates portraits of people who she meets on her travels and inserts them into architectural settings both on the street and more recently in galleries. In her gallery installations, Swoon is able to build her own artistic world, inventing a landscape that intersects with urban decay. Inspired by German Expressionist prints, Indonesian shadow puppets, and dense Asian cityscapes, she uses cut paper to create conceptual explorations of the urban street.

Swoon’s collaborators on Swimming Cities of Switchback Sea include playwright Lisa D’Amour, circus composer Sxip Shirey, Kinetic Steam Works from San Francisco and the band Dark Dark Dark. Performances will take place as the boats dock during their journey down the Hudson River in August and in front of Deitch Studios during the second week of September.

Please see the website www.switchbacksea.org for tour dates and additional information.

Banksy (the only “superstar” artist that I know that has continued to live up to the hype) has recently designed a pet shop that includes fish sticks swimming in a fish tank, a chimpanzee watching chimp porn, sleeping leopard that turns out to be a fur coat, chicken McNuggets sipping barbeque sauce and hot dog hamsters. The Village Pet Store and Charcoal Grill is less than 300 square feet and can’t hold more than 20 people at any one time. The inspiration for the show came when Banksy witnessed a chihuahua with a diamond collar being walked passed a homeless person. He wanted to bring forth the question why do we spoil some animals and murder others.

More images from Banksy’s Village Petstore show.

Banksy recently put up three giant billboards in the Big Apple. All depicting the NYC mascot, one rat sports an “I heart New York” shirt at the corner of Grand and Wooster, another is found whitewashing the wall at Houston and Macdougal and the last rat at Howard and Broadway is holding a briefcase full of money accompanied with text that reads “Let them eat crack.” In a statement Bansky comments, “I wanted to play the corporations at their own game, at the same scale and in the same locations. The advantage of billboard companies is that they’ll let you write anything for money, even if what you write is questioning the ethics of letting someone write anything because they have money.”

Some notable images

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concrete project
Works constructed with concrete then adhered to sidewalks, resulting in a disturbance to pedestrians.

window project

Two dimensional works installed in windows or door frames that change the visual appearance of the structure.